Jeffrey Sturges is the current Director of Exhibitions for the Estate of Tom Wesselmann. He first worked as a studio assistant for Tom Wesselmann in the 1990s, taking time in between to explore the gallery world and his burgeoning interest in photography, and returned in 2004 just prior to after the artist’s death. Highlights of the interview include discussions of Sturges’ early experiences in Wesselmann’s studio and his first encounters with Wesselmann’s art, the transition from a working studio to an estate, stylistic and symbolic interpretations of Wesselmann’s work, and the unique nature of Wesselmann’s record keeping and titling practices.

KEYWORDS: 20th century art, abstract expressionism, art critiques, artists’ estates, artists’ studios, assemblage, Claire Wesselmann, collage, dimensionality, exhibitions, Great American Nude, Green Gallery, modern art, Pop Art, retrospectives, Robert Rauschenberg, Sidney Janis Gallery, Still Life series, Tom Wesselmann