The Romare Bearden Catalogue Raisonné: 1964-1969

This first installment of the Romare Bearden catalogue raisonné project presents major artwork created by the artist between 1964 and 1969. This five-year period marks a pivotal moment in Bearden’s career when he debuted his work in collage. Although he experimented with a wide range of media over the course of his career, his mastery of collage cemented his reputation as a major artist. Works from this period include Sermons: The Walls of Jericho and The Street

To submit a work for The Romare Bearden Catalogue Raisonné: 1964-1969, please email us at bearden@wpi-art.org for a waiver of the standard submission fee for this artist.


Romare Bearden, The Street, 1964. Paper collage on cardboard, 12 7/8 x 15 3/8 inches (32.7 x 39 cm) Milwaukee Art Museum, Gift of Friends of Art and African American Art Acquisition Fund M1996.52, Photo: John R. Glembin © Romare Bearden/Artist Rights Society (ARS), New York

Claude Monet: Nymphéas

Monet’s Nymphéas series will be the second installment of the Claude Monet digital catalogue raisonné project following Claude Monet: The Revised Catalogue Raisonné — The Pastels. This series comprises approximately 300 works and is a culmination of Monet’s lifelong fascination with light and atmosphere. Perhaps more than any other series, the Nymphéas has deeply influenced the public memory of Monet’s impact on Western art. 

For more information about this catalogue raisonné project, or to request a waiver of the standard submission fee for one of these works, please email us at monet@wpi-art.org.

Claude Monet, Water Lilies, 1906, Oil on canvas, 89.9 × 94.1 cm (35 3/8 × 37 1/16 in.) Art Institute Chicago, Mr. and Mrs. Martin A. Ryerson Collection, 1933.1157

The Complete Works of Eva Gonzalès

This digital catalogue raisonné is a comprehensive revision of Eva Gonzales:Étude critique et catalogue raisonné (1990) and will include all known works by the artist. This especially timely project coincides with new interest in Eva Gonzalès and other women Impressionists as several past and current major exhibitions celebrating the 150th anniversary of the birth of Impressionism highlight their unsung contributions to the movement.  

For more information about this catalogue raisonné project, or to request a waiver of the standard submission fee, please email us at gonzales@wpi-art.org.    

Eva Gonzalès, Nanny and Child, 1877/1878, Oil on canvas, 65 × 81.4 cm (25 9/16 × 32 1/16 in.) National Gallery of Art, Washington D.C., Chester Dale Fund, 2006.72.1

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