Pissarro

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For summer, a tropical scene from the archives! Cocotiers au bord de la mer, or “coconut trees by the sea” by Camille Pissarro, 1856. The image above is an information card, with a photograph of the painting, from 1936, from our collection of documents on this work. Many people don’t know that Pissarro was born on St. Thomas, in the Antilles – then the Danish West Indies. Educated in France, Pissarro returned the islands at 17 to begin working as a cargo clerk. In 1851, when he was 21, Pissarro met Danish artist Fritz Melbye, who encouraged him to pursue his passion for painting. Together they traveled and painted through Venezuela, with Pissarro returning to France in 1855. The painting above is dated 1856, done while he was living in Paris. Once can imagine a young Pissarro, perhaps slightly homesick, painting a scene from the island of his birth.

A post shared by Wildenstein Plattner Institute (@wpi_art) on Jul 25, 2018 at 9:54am PDT

In 1939, Ludovic-Rodolphe Pissarro published the catalogue raisonné of the paintings, pastels and gouaches of his father Camille, with the help of the art historian Lionello Venturi. The 2005 edition of the critical catalogue of Camille Pissarro’s paintings relies on this first publication, yet the new volumes further expand the scholarship on Pissarro’s work through the addition of 213 paintings–now totaling 1,529–and of a number of newly discovered documents.

The first volume focuses on Pissarro’s biography, recounts his relationship with Paul Durand-Ruel, Pissarro’s most important dealer, and provides an updated analysis of the artist’s work. The following two volumes catalogue Pissarro’s paintings, which are presented in a chronological order, and include a bibliography as well as a list of exhibitions.

Joachim Pissarro and Claire Durand-Ruel Snollaerts,
with the collaboration of Alexia de Buffévent and Annie Champié
2005
Wildenstein Institute and Skira
1,500 pages
25 x 30 cm each
2,344 color and black and white illustrations
ISBN-13: 978-8876245251

The Wildenstein Plattner Institute, Inc. provides access to the above publication in support of the foundation's mission to study and encourage appreciation for and advance knowledge of works of art. Copyright and other proprietary rights may be held by individuals or entities other than, or in addition to, the WPI. You are free to use this publication in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you may need to obtain permission from the WPI and/or other rights-holders.