Catalogue Raisonné Defined A “catalogue raisonné” is a published compendium of an artist’s complete works or a defined subset of works. Some publications list each work with a title and a basic description of its physical properties, such as medium and dimensions. Other publications contain provenance, exhibition, and bibliographic histories for as many works as […]
What is a Catalogue Raisonné and Why is it Useful? Read More »
![Image: [Unidentified], Gallery & Studio (2004): 21–22., 2004; Romare Bearden Papers [qvluh9q8], The Wildenstein Plattner Institute, Inc.](https://wpi.art/wp-content/uploads/2024/04/unnamed-10-545x1024.jpg)
March 2024 | New in the Romare Bearden Archives “It is extremely difficult to talk of such a phenomenal person and universal artist in the past tense,” wrote Fabian A. Badejo (Tribute to Romare Bearden), yet so many did. Tributes, obituaries, clippings, condolences, and the program for Romare Bearden’s memorial at St. John the Divine
In celebration of the 150th anniversary of the art exhibition that would come to be known as the birth of the Impressionist Movement, the Wildenstein Plattner Institute is hosting a series of webinars, “Women of the Impressionist Circle,” throughout 2024.
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A virtual presentation in collaboration with the Hasso Plattner Institute Recorded Webinar Available Winslow Homer. Eight Bells (1886). Oil on canvas, 64.1 × 76.5 cm (25.2 in × 30.1 in). Addison Gallery of American Art. Digital libraries caption their online digital images to improve the accessibility of their resources. Although recent machine learning models do
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![Jean Puy, c. 1904–14; Ambroise Vollard Records [ie4ezro8], The Wildenstein Plattner Institute, Inc.](https://wpi.art/wp-content/uploads/2024/04/Jean-Puy-1.jpeg)
Learn about digital archiving at the WPI.
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January 2024 Update to the Tom Wesselmann Digital Corpus The Tom Wesselmann Digital Corpus has published its most recent update, which includes significant works in important private collections. The update also includes substantial research updates to the Wesselmann works in the collection of The Museum of Modern Art, which the committee examined in the Fall
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