Between the late 19th and early 20th centuries, Buenos Aires saw the emergence of a vibrant market for Impressionist and modern European art—well before the consolidation of local museums and cultural institutions.
Buying Modern: Impressionism and the Rise of Art Collecting in Buenos Aires Read More »
Working from a group of case studies, Albertson will discuss various condition issues associated with old master paintings and the treatments conservators use to address them.
A Conservator’s Vantage: Case Studies in the Care of Old Master Paintings Read More »
With Emily Beeny Recorded webinar available on YouTube (Detail) Édouard Manet, Le Balcon, 1868–1869, Oil on canvas, 170 x 125 cm., Musée d’Orsay © RMN-Grand Palais (Musée d’Orsay) / Sylvie Chan-Liat Join Emily Beeny, Chief Curator of the Legion of Honor and originating curator of the exhibition Manet & Morisot, for an exploration of the friendship and artistic
Marking a Milestone in Art Historical Scholarship:Bearden, 1964–1969 is the First Digital Catalogue Raisonné for aMajor 20th Century African American Artist The Wildenstein Plattner Institute (WPI) is proud to announce the inaugural release of the Romare Bearden Catalogue Raisonné Project, focusing on the artist’s unique works created between 1964 and 1969. This significant launch represents
The WPI is pleased to welcome Edgar Degas: Catalogue Raisonné of Paintings and Works on Paper to its roster of digital projects. The research for this ongoing endeavor aims to incorporate new findings, links to foundational research resources, and contemporary scholarship to address issues related to the artist’s production of paintings and works on paper.
With Jacqueline Francis Webinar recording available Romare Bearden, Young Students, c. 1964. Collage of various papers on board, 15 1/2 x 24 inches (39.4 x 61 cm). Private Collection, California © Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. The inaugural installment of the Romare Bearden Catalogue Raisonné Project covers the
Composition and Motif in Romare Bearden’s Collages, 1964 – 1969 Read More »
