Dates: c. 1920s Extent: 3 archival boxes Archive related to the publication of: Georges Pascal. Largillierre. Paris: Les Beaux-Arts, 1928. Box 1: Dossiers on artworks (self-portraits, portraits of men) Box 2: Dossiers on artworks (portraits of women) Box 3: Dossiers on artworks (group portraits; historical, religious, or mythological scenes; still lives; drawings) and documentation

Dates: unknown Extent: 52 archival boxes The materials in this collection were assembled by the Wildenstein Institute for catalogue raisonné research. The catalogue was however never published. Boxes 1-5: Paris and its bridges (dossiers on individual works organized thematically) Boxes 6-8: Surroundings of Paris (dossiers on individual works organized thematically) Boxes 9-19: Normandy (dossiers on

Dates: c. 1980s Extent: 3 archival boxes Archives related to the publication of: Lada Nikolenko. Pierre Mignard, the portrait painter of the Grand Siècle. Munich: Nitz Verlarg, 1982. Dossiers on paintings (portraits of men and women) organized alphabetically: Box 1: A–F Box 2: G–Mai Box 3: M–Z

Dates: c. 1920s Extent: 3 archival boxes Archive related to the following publication: Georges Wildenstein. Louis Moreau Un peintre de paysage au XVIIIe siècle. Paris: Les Beaux-Arts, 1923. Box 1: Research and correspondence  Box 2: Xerox copy of Paul Prouté, Les eaux-fortes de Louis Moreau l’Aîné; essai de catalogue. Paris: Published by the author, 1956.

Dates: c. 1920s Extent: 2 archival boxes Archive related to the following publications: Marie-Joseph-François Mahérault. L’œuvre de Moreau le Jeune, catalogue raisonné et descriptif avec notes iconographiques et bibliographiques. Paris: A. Lahitte, 1880. Emmanuel Bocher. Catalogue raisonné des estampes, vignettes, eaux-fortes, pièces en couleurs, au bistre et au lavis de Jean-Michel Moreau le Jeune. Paris,

Dates: c. 1920–1990 Extent: 3 archival boxes Georges Wildenstein began to document the work of Jean-Marc Nattier for a catalogue raisonné project in 1920 and continued this work until his death in 1963. The project was picked up by Daniel Wildenstein and Raymond Cogniat but the catalogue was never published. However, Georges Wildenstien published the